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DELICIOUS GARBAGE: The Rise of Public Domain Horror

DELICIOUS GARBAGE: The Rise of Public Domain Horror
By: AA
First, came the announcement.
Then, the jaw-dropping disbelief.
That was followed by a viral bloom of WTF curiosity and bewilderment.
Now here we are, years in and a handful of creative experiments later… living in a world with a bona fide mind-melting new genre: public domain horror.
What in the honey-coated hell?

Winnie-the-Pooh took the first bullet back in 2023. Then came Peter Pan, Bambi, Mickey, and as of this week — Betty Boop is getting her own horror movie.
Of course she is.
At this point, it can be safely stated that what originally appeared to be an indulgent film fever has metastasized into a full-blown genre mutation that appears to be here to stay.
continued…
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Fine by me.
We—you, me, Daily Grindhouse—celebrate cinematic oddities. Why not this one?
Once you get past the conceptual shock of blood-spattered Pooh fur, you can start to see the anarchic glee that goes into completely rewiring everyone’s childhood memories.
These movies—good or bad—are proudly, defiantly delicious garbage.
Imagine what John Waters would/could have done with these back in the day!
Pooh becomes a slasher.
Pinocchio becomes a creature feature.
Bambi: The Reckoning turns a grief-stricken fawn into a furry vengeance demon. An adorable Bronson of the forest.
Will Betty Boop be the next MS .45?

It’s a reminder of what exploitation cinema has always been. Cheap. Opportunistic. Quick. But also inventive in the weirdest corners, and surprisingly communal.
The late, great exploiteer David F Friedman always said you can exploit anything for movies…as long as it’s done in bad taste.
Ruining fond childhood memories ain’t great taste, that’s for sure.
Having the brass to create an entire Twisted Childhood Universe (the Poohniverse)… well, don’t expect any apologies anytime soon.
Of course, you don’t get a Twisted Childhood Universe unless there’s an audience hungry for this particular flavor of nonsense, an audience that loves the bizarre, the junky, the creatively questionable… the stuff that feels like it was made for the midnight crowd and against the rules.
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NIGHT OF THE LIVING DEAD is the original accidental public-domain horror icon. The movie not only survived going public-domain it became immortal because of it… spawning an entire zombie genre.
What happens when SHAFT falls into the public domain?
Or the great Herschell Gordon Lewis villains, like Fuad Ramses and Montag the Magnificent?
Will there be a Bob and Doug Mackenzie horror movie?
Die Hoser, Eh?
For now, one can only imagine/dream/brace themselves for what’s coming, as each year another cherished property loses its copyright exclusivity.
The deranged public domain reboots being made today are most certainly crass cash grabs built on the antique backs of iconic characters. But at the same time, they’re doing what all good exploitation movies do. They’re widening the genre movie playing field for anything and everything tomorrow. Not that they’re entirely redeeming.
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